John Boorman: classic film posters

John Boorman’s career has taken in science-fiction, horror, Arthurian legend and river adventure. Here are some of the best posters for his classic films.
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Zardoz (1974) - Set in 2293, where a self-contained world is peopled with the Brutes, the Exterminators and the Eternals. Zardoz is a dystopia, a pessimistic view of a possible future, and a cautionary tale coloured by Boorman’s concern for the evolution of humanity. Shot – like Excalibur, The General and The Tiger’s Tail – near his house in Wicklow, it is the most baroque of all his films, where he gives free rein to his imagination in flamboyant hues.

‘The penis is evil!’: Sean Connery & Charlotte Rampling in ‘Zardoz,’ the Playboy spread (NSFW)

The Tailor of Panama (2001) - Collaborating with John Le Carré, Boorman adapted his novel and stayed faithful to its iconoclastic spirit. After Beyond Rangoon and The General and before Country of My Skull, the film is part of a political tetralogy, and presents itself as a cruel satire of a general paranoia without forsaking the complexity of its main character. Facing Geoffrey Rush, Pierce Brosnan relishes his part as an anti-James Bond. An enthralling divertimento.

Directed by John Boorman. With Pierce Brosnan, Geoffrey Rush, Jamie Lee Curtis, Leonor Varela. A tailor living in Panama reluctantly becomes a spy for a British agent.

Hope and Glory (1987) - It took 20 years for John Boorman to write and direct an autobiographical film: the war years that he lived through as a child of seven in suburban London by the river Thames. As expected, the point of view is strikingly original, the Blitz being perceived by the young boy as a cheery experience, all fireworks and plunder in the ruins of houses. Warm and funny, and a key to his cinema.

John Boorman's career has taken in science-fiction, horror, Arthurian legend and river adventure. Here are some of the best posters for his classic films.

The Emerald Forest (1985) - Like several other Boorman films, this is about a clash of cultures. The child of an American engineer is abducted and raised into adolescence by an Amazonian Indian tribe, and refuses to return to white civilisation. The father, a builder of dams, believes in technology but comes to recognise the natives’ point of view and his own responsibility. Once more the director proves that he is a great painter of landscapes, with a fabulous bestiary and a quivering…

“The Emerald Forest” is kind of a spiritual sequel to “Deliverance” as both were directed by John Boorman. Each film deals with man’s tearing apart of nature for their…

Excalibur (1981) - Boorman was influenced by the Grail mythology, which informed a number of his films. He finally decided to adapt the Arthurian legends and audaciously dealt with the complete cycle, focusing on the romantic triangle of Arthur, Guinevere and Lancelot along with Perceval’s search for the hidden chalice. The splendour of the visuals is never divorced from the energy of the narrative, and the mixture of the epic, the tragic, the elegiac and the comic proves exhilarating.

Directed by John Boorman. With Nigel Terry, Helen Mirren, Nicholas Clay, Cherie Lunghi. Merlin the magician helps Arthur Pendragon unite the Britons around the round table of Camelot even as forces conspire to tear it apart

Point Blank (1967) - John Boorman’s American debut remains a landmark crime movie, mixing fast-paced, hard-hitting Hollywood action with European stylistic experimentation and cool, existential enquiry to lastingly intoxicating effect.

High resolution official theatrical movie poster ( of for Point Blank Image dimensions: 1500 x Directed by John Boorman.

Catch Us if You Can (1965) - John Boorman was given a chance to direct, as a showcase for the Dave Clark Five, his first feature. The film reveals a sense of fantasy, humour and visual invention while anticipating future work. Two young people flee the synthetic glitter of the publicity world in search of an ‘elsewhere’ that finally proves inaccessible. During this quest, the director plays with illusion and reality, from a fancy dress ball to the shoot of a TV commercial.

"Catch Us If You Can" is a 1965 song from The Dave Clark Five written by group's drummer Dave Clark and guitarist Lenny Davidson.

Country of My Skull (aka In My Country, 2004) - Like The General, a film inspired by true events, but this time with a portentous subject: the Truth and Reconciliation Commissions investigating abuses of human rights under Apartheid.

An American reporter and an Afrikaans poet meet and fall in love while covering South Africa's Truth and Reconciliation Commission hearings.