https://flic.kr/p/Bi2BG9 | 323/365. trying to shoot black on black. Sanseveria, mother-in-law's tongue, devil's tongue, jinn's tongue, | For Strobist: on the left flash sb900 on remote and to the right flash sb910 on remote. Triggered by CLS. In-camera flash settings on manual.

For Strobist: on the left flash on remote and to the right flash on remote. Triggered by CLS. In-camera flash settings on manual.

https://flic.kr/p/ANZhm9 | 335/365. Practicing my flash. On black is still the hardest for me. |  For Strobist. Flash qihe300 at the right pointing at the wall behind object wich was protected by a black flag between wall and object. left of camera speedlight sb900 with Westcott Apollo Micro diffuser as a fill. As a slave using the su-4 system and triggered by Hama remote controller.

Practicing my flash. On black is still the hardest for me.

https://flic.kr/p/B4GKDL | 329/365. A mauve coloured Chrysanthemum. Had no inspiration at all. So, simplicity must do the trick and I can show off my new wall colour. | For Strobist: Right of the camera on stand flash sb900 pointing at ceiling and bounce card pulled out. Left of the camera flash sb910 on a tripod pointing at the ceiling, moved a bit backward. Triggered by CLS. In-camera flash setting on manual.

For Strobist: Right of the camera on stand flash pointing at ceiling and bounce card pulled out. Left of the camera flash on a tripod pointing at the ceiling, moved a bit backward. Triggered by CLS. In-camera flash setting on manual.

https://flic.kr/p/Befjup | 322/365. Season's colors seem to be red. With amaryllis. | For strobist left on a stand flash sb910 pointing at ceiling and paper taped to it to bounce some light toward the flowers. To the left flash sb900 with Westcott Apollo diffuser. And on the right white plastic as reflector to bounce some light back.

For strobist left on a stand flash pointing at ceiling and paper taped to it to bounce some light toward the flowers. To the left flash with Westcott Apollo diffuser. And on the right white plastic as reflector to bounce some light back.

My wife uses the Garden Angelica in a vase. Exif 105mm f11 1/125 iso 100. Left of the camera a speedlight on lampstand shooting through a brolly on M1/4 and to the right a speedlight on a lampstand shooting through a brolly on M 1/6.4. triggered by CLS.

http://carlosengelkamp.wix.com/angelbattle-bross

My wife uses the Garden Angelica in a vase. Exif iso Left of the camera a speedlight on lampstand shooting through a brolly on and to the right a speedlight on a lampstand shooting through a brolly on M triggered by CLS.

Still live

http://carlosengelkamp.wix.com/angelbattle-bross

Do not watch the petals fall from the rose with s by carlos engelkamp - Photo 136249603 -

De buren brachten bloemen voor onze inzet voor hun hondjes The neighbors brought flowers for our commitment to their dogs. Exif 50mm f5,6 1/100 iso100. For strobist: One speedlight on a stand shooting through a brolly on the left of the camera on TTL -0.3 and one to the right of the camera on a lightstand shooting through a brolly on TTL+0.7. Triggered by CLS.

http://carlosengelkamp.wix.com/angelbattle-bross

De buren brachten bloemen voor onze inzet voor hun hondjes The neighbors brought flowers for our commitment to their dogs. Exif 50mm f5,6 1/100 iso100. For strobist: One speedlight on a stand shooting through a brolly on the left of the camera on TTL -0.3 and one to the right of the camera on a lightstand shooting through a brolly on TTL+0.7. Triggered by CLS.

“Sadness is but a wall between two gardens.”  ― Kahlil Gibran, Sand and Foam  Exif 105mm f11 1/125 iso100. For strobist: to the right of the camera a speedlight on a stand shooting through a brolly triggered by CLS. In-camera flash setting on TTL. On the right a speedlight on a stand shooting through a snoot for the gradient behind the flowers. D.i.y. of a famous chips can.

http://carlosengelkamp.wix.com/angelbattle-bross

“Sadness is but a wall between two gardens.” ― Kahlil Gibran, Sand and Foam Exif 105mm f11 1/125 iso100. For strobist: to the right of the camera a speedlight on a stand shooting through a brolly triggered by CLS. In-camera flash setting on TTL. On the right a speedlight on a stand shooting through a snoot for the gradient behind the flowers. D.i.y. of a famous chips can.

Summer Whites and Blue Jeans. Exif 105 mm f5,6 1/60 iso100. For strobist: Right of the camera a speedlight on a tripod shooting through a brolly on TTL +0.3 and to the left a speedlight on TTL. Triggered by CLS.

http://carlosengelkamp.wix.com/angelbattle-bross

Summer Whites and Blue Jeans. Exif 105 mm For strobist: Right of the camera a speedlight on a tripod shooting through a brolly on TTL and to the left a speedlight on TTL. Triggered by CLS.

For her, the lilies hang their heads and die. Alexander Pope. Exif 50mm f5,6 1/125 iso100. For strobist: Left of the camera a speedlight on a flash stand, shooting through a brolly. To the right a white foam core panel as a reflector. In-camera flash settings on TTL.

http://carlosengelkamp.wix.com/angelbattle-bross

For her, the lilies hang their heads and die. Exif For strobist: Left of the camera a speedlight on a flash stand, shooting through a brolly. To the right a white foam core panel as a reflector. In-camera flash settings on TTL.

Art is the unceasing effort to compete with the beauty of flowers - and never succeeding. exif; 50mm 1/80 iso100. for strobist. A strobe with a softbox and a grid to the left of the camera triggered with remote and to the right a speedlight shooting through a brolly on remote triggered by the su-4 system.

http://carlosengelkamp.wix.com/angelbattle-bross

Art is the unceasing effort to compete with the beauty of flowers - and never succeeding. exif; 50mm 1/80 iso100. for strobist. A strobe with a softbox and a grid to the left of the camera triggered with remote and to the right a speedlight shooting through a brolly on remote triggered by the su-4 system.

there is a very short distance between high art and trash, and trash that contains an element of craziness is by this very quality nearer to art.”  ― Douglas Sirk

http://carlosengelkamp.wix.com/angelbattle-bross

there is a very short distance between high art and trash, and trash that contains an element of craziness is by this very quality nearer to art.

Flowers & plants

http://carlosengelkamp.wix.com/angelbattle-bross

Flowers & plants

http://carlosengelkamp.wix.com/angelbattle-bross

Corps de ballet des fleurs. exif 50mm 1/60 f5,6 iso100. For strobist: to the right of the camera on a flash stand and shooting through a brolly a flash and to the left of the camera on a stand shooting through the diffuser of a 5-1 reflector. Both flashes are triggered by CLS. In-camera flash settings for both are TTL.

http://carlosengelkamp.wix.com/angelbattle-bross

Corps de ballet des fleurs. exif 50mm 1/60 f5,6 iso100. For strobist: to the right of the camera on a flash stand and shooting through a brolly a flash and to the left of the camera on a stand shooting through the diffuser of a 5-1 reflector. Both flashes are triggered by CLS. In-camera flash settings for both are TTL.

Flowers & plants

http://carlosengelkamp.wix.com/angelbattle-bross

Pinterest
Search