Charlotte Peeters

Charlotte Peeters

Charlotte Peeters
More ideas from Charlotte
Rhythm 0, 1974 To test the limits of the relationship between performer and audience, Marina Abramovi developed one of her most challenging (and best-known) performances. She assigned a passive role to herself, with the public being the force which would act on her. Abramovi had placed upon a table 72 objects that people were allowed to use (a sign informed them) in any way that they chose. #performance #nue art personal-development

“ Marina Abramović, Rhythm 1974 “This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her. She placed 72 objects one.

Marina-Abramovic-Rest-Energy-with-Ulay-1980.-Courtesy-the-Artist-and-Lisson-Gallery.jpg (1181×1575)

Abramovic and Ulay .for a thriller of a piece called “Rest Energy” they faced each other and together held a large bow and arrow. Abramovic grasped the bow while Mr. Laysiepen pulled the string taut, aiming the arrow at her heart.

100 million handmade porcelain sunflower seeds filling the Tate Modern, by one of the most important artists of our time, Ai Wei Wei.

100 million handmade porcelain sunflower seeds filling the Tate Modern, by one of the most important artists of our time, Ai Wei Wei. (technically the individual seeds were made by these really nice highly skilled porcelain workers without enough work

"A Room of Memory" 2008/2016, 21st Century Museum of Contemporary Art Kanazawa, Japan, courtesy of the artist

"A Room of Memory" Century Museum of Contemporary Art Kanazawa, Japan, courtesy of the artist