Richard Serra, Sea Level (1989-1996) in Zeewolde. © Jordi Huisman, Museum De Paviljoens

Richard Serra, Sea Level (1989-1996) in Zeewolde. © Jordi Huisman, Museum De Paviljoens

http://www.depaviljoens.nl/page/286  Marinus Boezem, The Green Cathedral, 1978-1996 poplars planted in 1987  location Almere near Vogelweg.  Boezem conceived the idea of a Gotisch Groei Project (Gothic Growth Project) in a polder landscape. In 1987, this concept was applied in practice in De Groene Kathedraal (1978-1996). On an elevation in the flat countryside, Lombardy poplars (populus nigra Italica) have been planted in the shape of the ground plan of the Notre-Dame de Reims (1211-1290).

http://www.depaviljoens.nl/page/286 Marinus Boezem, The Green Cathedral, 1978-1996 poplars planted in 1987 location Almere near Vogelweg. Boezem conceived the idea of a Gotisch Groei Project (Gothic Growth Project) in a polder landscape. In 1987, this concept was applied in practice in De Groene Kathedraal (1978-1996). On an elevation in the flat countryside, Lombardy poplars (populus nigra Italica) have been planted in the shape of the ground plan of the Notre-Dame de Reims (1211-1290).

http://www.depaviljoens.nl/page/387  Sea Level (1989-1996) Richard Serra location Weteringpark in Zeewolde    With two 200-metre long walls and the grass and water in between, Sea Level is Serra's largest work in Europe. If you walk along the wall, the artwork gives you the feeling of being submerged under water   while slowly floating back tot the surface a little further on. When visiting Zeewolde, Serra was fascinated by the fact that the village lies below the surrounding lakes.

http://www.depaviljoens.nl/page/387 Sea Level (1989-1996) Richard Serra location Weteringpark in Zeewolde With two 200-metre long walls and the grass and water in between, Sea Level is Serra's largest work in Europe. If you walk along the wall, the artwork gives you the feeling of being submerged under water while slowly floating back tot the surface a little further on. When visiting Zeewolde, Serra was fascinated by the fact that the village lies below the surrounding lakes.

Daniel Libeskind, Polderland Garden of Love and Fire (1992-1997) in Almere Pampus. © Gert Schutte, Museum De Paviljoens

Daniel Libeskind, Polderland Garden of Love and Fire (1992-1997) in Almere Pampus. © Gert Schutte, Museum De Paviljoens

Exposure (2010), Antony Gormley. © Jordi Huisman, Museum De Paviljoens

Exposure (2010), Antony Gormley. © Jordi Huisman, Museum De Paviljoens

Marinus Boezem, De Groene Kathedraal (1978-1996) in Almere Hout. © Jordi Huisman, Museum De Paviljoens

Marinus Boezem, De Groene Kathedraal (1978-1996) in Almere Hout. © Jordi Huisman, Museum De Paviljoens

Piet Slegers, Aardzee (1982). © Gert Schutte, Museum De Paviljoens

Piet Slegers, Aardzee (1982). © Gert Schutte, Museum De Paviljoens

Aardzee (1982) van Piet Slegers. © Jordi Huisman, Museum De Paviljoens

Aardzee (1982) van Piet Slegers. © Jordi Huisman, Museum De Paviljoens

Robert Morris, Observatorium (1971-1977). © Gert Schutte, Museum De Paviljoens

Robert Morris, Observatorium (1971-1977). © Gert Schutte, Museum De Paviljoens

Piet Slegers, Aardzee (1982). © Jordi Huisman, Museum De Paviljoens

Piet Slegers, Aardzee (1982). © Jordi Huisman, Museum De Paviljoens

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