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El Greco

El Greco’s “Astigmatism”

El Greco

El Greco, The Disrobing of Christ, 1577-79, Sacristy of the Cathedral, Toledo, Spain

El Greco, The Disrobing of Christ, 1577-79, Sacristy of the Cathedral, Toledo, Spain

el Greco's Christ carrying the cross, a must see if you get to The Metropolitan Museum of Art

el Greco's Christ carrying the cross, a must see if you get to The Metropolitan Museum of Art

'View of Toledo', by El Greco c.1596-1600, Oil on Canvas. It's very rare to find an isolated landscape in the spanish paintings during the Renaissance and even during the Baroque. This makes El Greco the first landscaper in the history of Spanish art. Regarding its enigmatic symbolism, it is thought that it could be related to the mystic spirit that the city was involved during those times.

'View of Toledo', by El Greco c.1596-1600, Oil on Canvas. It's very rare to find an isolated landscape in the spanish paintings during the Renaissance and even during the Baroque. This makes El Greco the first landscaper in the history of Spanish art. Regarding its enigmatic symbolism, it is thought that it could be related to the mystic spirit that the city was involved during those times.

El Greco - Christ Embraced the Cross (detail) (1587-96)

El Greco - Christ Embraced the Cross (detail) (1587-96)

El Greco.  Es formalmente compleja y coherente; Es producto de la intención de hacer una obra de arte; Está sometida a un lenguaje crítico de juicio y apreciación, más o menos elaborado.

El Greco. Es formalmente compleja y coherente; Es producto de la intención de hacer una obra de arte; Está sometida a un lenguaje crítico de juicio y apreciación, más o menos elaborado.

El greco self potrait is just like people today making reflection of themselves of how they look, their emotions help paint a great portrait

El greco self potrait is just like people today making reflection of themselves of how they look, their emotions help paint a great portrait

Resurrection, 1584-94 by El Greco by El Greco El greco likes to use darker colors in his paintings this shows thes use of darker color tones

Resurrection, 1584-94 by El Greco by El Greco El greco likes to use darker colors in his paintings this shows thes use of darker color tones

Association Of Catholic Women Bloggers: 'Lord, to whom can we go? You have the words of et...

Association Of Catholic Women Bloggers: 'Lord, to whom can we go? You have the words of et...

Details of works by El Greco~loved seeing exhibition at the Toledo Museum of Art in 1982

Las manos de Estabrook

Details of works by El Greco~loved seeing exhibition at the Toledo Museum of Art in 1982

16. El Greco, St James. El estilo de El Greco fue expresionismo y fue muy dramatico.

16. El Greco, St James. El estilo de El Greco fue expresionismo y fue muy dramatico.

El Greco Domenikos Theotokopoulos . Δομήνικος Θεοτοκόπουλος.1597

Pinturas de El Greco!

El Greco Domenikos Theotokopoulos . Δομήνικος Θεοτοκόπουλος.1597

More El Greco.  Detail from The Holy Family

More El Greco. Detail from The Holy Family

El Greco, La Adoración de los pastores 319 cm x 180 cm 1612 - 1614 on ArtStack #el-greco #art

El Greco, La Adoración de los pastores 319 cm x 180 cm 1612 - 1614 on ArtStack #el-greco #art

The Disrobing of Christ or El Expolio is a painting begun in the summer of 1577 and completed in the spring of 1579 for the High Altar of the sacristy of the Cathedral of Toledo, where it still normally hangs. Wikipedia Artist: El Greco Location: Poti Created: 1577–1579 Period: Mannerism

The Disrobing of Christ or El Expolio is a painting begun in the summer of 1577 and completed in the spring of 1579 for the High Altar of the sacristy of the Cathedral of Toledo, where it still normally hangs. Wikipedia Artist: El Greco Location: Poti Created: 1577–1579 Period: Mannerism

Refusing to say we “know” the time is central to Christianity.

Against Apocalypse

Refusing to say we “know” the time is central to Christianity.