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El Greco, "Nobleman with his Hand on his Chest". Possible self-portrait of El Greco. 1583-85 Museo del Prado, Madrid

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''El Greco; Asunción de la Virgen''. The overscale folds of El Greco's draperies suggest the use of a lay figure. The effect is to create a sense of unreality - like a mad dream where nothing is as it should be.

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El Greco’s “Astigmatism”

El Greco

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El Greco Discover the coolest shows in New York at www.artexperience...

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The Resurrection by El Greco, 1596-1600. El Greco, born Doménikos Theotokópoulos, (1541-1614) was a painter, sculptor and architect of the Spanish Renaissance. El Greco's dramatic and expressionistic style found appreciation in the 20th century. El Greco is regarded as a precursor of both Expressionism and Cubism. He is best known for tortuously elongated figures and often fantastic or phantasmagorical pigmentation, marrying Byzantine traditions with those of Western painting.

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Pinturas de El Greco!

Baptism of Christ - El Greco. El Greco uses his customary language, with stylized forms and loose brushstrokes, obtaining an intensely spiritual expression. The work was painted for the main altarpiece of the church of the Augustine College of María de Aragón in Madrid

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The Metropolitan Museum of Art (Metropolitan Museum of Art)

el Greco's Christ carrying the cross, a must see if you get to The Metropolitan Museum of Art

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'View of Toledo', by El Greco c.1596-1600, Oil on Canvas. It's very rare to find an isolated landscape in the spanish paintings during the Renaissance and even during the Baroque. This makes El Greco the first landscaper in the history of Spanish art. Regarding its enigmatic symbolism, it is thought that it could be related to the mystic spirit that the city was involved during those times.

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El Greco - La Anunciacion, 1600 at Museo Nacional del Prado Madrid Spain

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El Greco. Es formalmente compleja y coherente; Es producto de la intención de hacer una obra de arte; Está sometida a un lenguaje crítico de juicio y apreciación, más o menos elaborado.

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