My take on Christian Berard's trompe l'oeil door moldings
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I enjoy this photo because it shows how the real world really is. Not everything is straight and in order out in the actual world, so why should it be in a photographer's studio?
One of architecture’s marvels and a landmark relatively unknown to most visitors to the Eternal City, is Francesco Borromini’s masterly 17th-century trompe l’oeil perspective colonnade in the Palazzo Spada, just around the corner from the Palazzo Farnese.