Hans ulrich obrist

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a piece of paper with writing on it that has been altered to blue and yellow

The celebrity curator may be a phenomenon on the rise, but before Klaus Biesenbach and Paola Antonelli, there was Hans Ulrich Obrist. Obrist, who's currently the co-director of exhibitions and programs and director of international programs at London's Serpentine Gallery, has a list of curatorial accomplishments so long, it's daunting. And it turns out he's been taking notes the whole time.

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an abstract painting with blue, yellow and red circles in the center on a white background

Published by Koenig Books, 2016. Edited by Julia Peyton-Jones, Hans Ulrich Obrist. Text by Simone Fattal, Robert Grenier, Kaelen Wilson-Goldie. Praised by Hans Ulrich Obrist as one of the most influential artists of the 21st century, Paris and California-based Etel Adnan (born 1925) has quietly worked in a variety of... ARTBOOK | D.A.P. Catalog SPRING 2017 Art Monographs. Distributor Availability: . ISBN: 9783863359690

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a man in a suit standing next to some red scaffolding on the floor

Hans-Ulrich Obrist, the artistic director of London’s Serpentine Galleries dubbed as the “curator who never sleeps”, has topped this year’s ArtReview Power 100 of the most influential people in the art world.

an empty room with a large sign on the wall that says show time, the 90 most infurnal exhibition of contemporary art

Published by D.A.P./Distributed Art Publishers, 2014. Edited and with text by Jens Hoffmann. Conversation with Hans Ulrich Obrist, Massimiliano Gioni, Maria Lind, Jessica Morgan, Carolyn Christov-Bakargiev, Adriano Pedrosa, Mary Jane Jacob. This monumental new book explores the recent history of exhibition-making, looking at the radical shifts that have taken place in the... ARTBOOK | D.A.P. Catalog SPRING 2014 Contemporary Art Movements. Distributor Availability: . ISBN: 9781938922336

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a painting of a man sitting on the ground

Jennifer Packer’s paintings and drawings combine observation, memory, and improvisation. Featuring over thirty works from the past decade, The Eye Is Not Satisfied With Seeing is the largest survey of Packer’s practice to date. Her intimate renderings of friends, family, and flowers evoke the art historical genres of portraiture and still life, while also highlighting the politics of representation. Her paintings, most recently seen at the Whitney in the 2019 Biennial, slide between the…

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a man wearing glasses and a black jacket with a white collared shirt is smiling at the camera

Swiss curator Hans Ulrich Obrist talks and travels incessantly, barely sleeps and never cooks. He’s far too busy keeping London’s Serpentine gallery at the pinnacle of conceptual art…

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