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An immersive and staggeringly charming retrospective of the photographer’s work showcases his easeful acceptance of the world.
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Shore’s oeuvre is widely appreciated today, yet his star doesn’t shine as brightly as it ought to.
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Big Timber, Montana. All Photos © Stephen Shore Stephen Shore fondly recalls his Polaroid SX-70. Shore, known for color images of everyday America, in books like Uncommon Places and American Surfaces, loved the immediacy of the SX-70. “Whatever you observed and chose to picture was right there,” he says of that ingenious little device.
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INTERVIEW: Stephen Shore: 'I wanted to find America, but I think I was finding myself too' | photography | Agenda
In part one of an extensive three part interview to celebrate the expanded edition of American Surfaces, the legendary photographer reflects on a series of images that changed the way we look at photography
photos by Stephen Shore: everyday_i_show — LiveJournal
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Stephen Shore's photographs are attentive to ordinary scenes of daily experience, yet through color--and composition--Shore transforms the mundane into subjects of thoughtful meditation. A restaurant meal on a road trip, a billboard off a highway, and a dusty side street in a Texas town are all seemingly banal images, but upon reflection subtly imply meaning.
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Over at World-Architects I did a write-up of Image Building , an exhibition that opened last weekend at the Parrish Art Museum. Some of my ...
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In the 70s, everyone hated Shore’s quirky photographs of everyday life because they weren’t in black and white. Now, a new retrospective shows how he became a modern master – and how the masses finally caught up with him
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