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Artwork page for ‘Bicentric Form’, Dame Barbara Hepworth, 1949 Explaining its title, Hepworth described this work as 'a fusion of two figures into one sculptural entity'. She saw it as a development from works made up of separate elements, such as Three Forms, 1935 (on display in this room). More specifically, it grew out of the drawings she made of interlocking figures. This fusion of figures could be seen as a symbolic expression of her interest in individual and social relationship...

Artwork page for ‘Bicentric Form’, Dame Barbara Hepworth, 1949 Explaining its title, Hepworth described this work as 'a fusion of two figures into one sculptural entity'. She saw it as a development from works made up of separate elements, such as Three Forms, 1935 (on display in this room). More specifically, it grew out of the drawings she made of interlocking figures. This fusion of figures could be seen as a symbolic expression of her interest in individual and social relationship...

Barbara Hepworth, Vertical Form Opus 353, 1962 bronze, edition 6/7, h: 26 in / 66 cm

Barbara Hepworth, Vertical Form Opus 353, 1962 bronze, edition 6/7, h: 26 in / 66 cm

Barbara Hepworth, Vertical form, 1962

Barbara Hepworth, Vertical form, 1962

"Keerzijde"            Marmer

"Keerzijde" Marmer

flexor 2

flexor 2

vide.jpg (275×649)

vide.jpg (275×649)

Carlos Edwards Chilean Sculptor

Carlos Edwards Chilean Sculptor

maska_2

maska_2

#1212-3d 82"h 11"w 12"d David Lusk Gallery Nashville

#1212-3d 82"h 11"w 12"d David Lusk Gallery Nashville

petraporte

petraporte