p-851 WORKS

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CAMERA OBSCURA REFLEXIVE.  The face crystallizes all redundancies, it emits and receives, releases and recaptures signifying signs. It is a whole body unto itself : it is like the body of the center of signifiance to which all of the deterritorialized signs affix themselves, and it marks the limit of their deterritorialization….The face is what gives the signifier substance….The mask does not hide the face, it is the face.

CAMERA OBSCURA REFLEXIVE. The face crystallizes all redundancies, it emits and receives, releases and recaptures signifying signs. It is a whole body unto itself : it is like the body of the center of signifiance to which all of the deterritorialized signs affix themselves, and it marks the limit of their deterritorialization….The face is what gives the signifier substance….The mask does not hide the face, it is the face.

the MOONROOM -How I came so far I don’t know. I wander. I’m a wanderer. No I’m not a wanderer, I’m a thinker but I get lost easily. I have walked this forest many times and I’m lost again. I need to rest. I need a place to mute my mind. Its dark now and my legs are getting soft. I walk slower and slower. This dark blue hue with moving shadows and invisible sounds is getting more vibrant with each new step. I need a place to lay my weary body and rest. I keep walking and I’m lost. There it…

the MOONROOM -How I came so far I don’t know. I wander. I’m a wanderer. No I’m not a wanderer, I’m a thinker but I get lost easily. I have walked this forest many times and I’m lost again. I need to rest. I need a place to mute my mind. Its dark now and my legs are getting soft. I walk slower and slower. This dark blue hue with moving shadows and invisible sounds is getting more vibrant with each new step. I need a place to lay my weary body and rest. I keep walking and I’m lost. There it…

Boulderhouse by p-851 architectureSEE MORE http://www.p-851.com/#!boulderhouse/c1qh8

Boulderhouse by p-851 architectureSEE MORE http://www.p-851.com/#!boulderhouse/c1qh8

BIOLOGICAL APPARATUS NO.1 -Biodiversity is the degree of variation of life forms within a given species, ecosystem, biome, or an entire planet. Next to our role as humans of safeguarding, monitoring and/or managing a healthy biodiversity we should have a more profound relationship with nature which is not only based on mimicry. -Project by p-851 architecture

BIOLOGICAL APPARATUS NO.1 -Biodiversity is the degree of variation of life forms within a given species, ecosystem, biome, or an entire planet. Next to our role as humans of safeguarding, monitoring and/or managing a healthy biodiversity we should have a more profound relationship with nature which is not only based on mimicry. -Project by p-851 architecture

READING-ROCKING CHAIR is surrounded by 2 walls of books which are immersed in the wall. By climbing the books in pitch darkness one can choose a book by memory and lock it to the chair. This exoskeleton chair generates electricity by moving. Reading a book becomes a process of constant dissecting of the material. The chair has a waste bin for faeces and its possible to recirculate ones urine. By choice one can fully merge with the reading/rocking chair and transcend the physical world.

READING-ROCKING CHAIR is surrounded by 2 walls of books which are immersed in the wall. By climbing the books in pitch darkness one can choose a book by memory and lock it to the chair. This exoskeleton chair generates electricity by moving. Reading a book becomes a process of constant dissecting of the material. The chair has a waste bin for faeces and its possible to recirculate ones urine. By choice one can fully merge with the reading/rocking chair and transcend the physical world.

THE MAN WHO WAS NEVER ALONE .The main theme of the house is the peripheral. The center of the house is a void surrounded by mirrors with peeping holes. In order to escape this confrontational void, the inhabitant has to retreat to one of the three parallel wall spaces. These wall-spaces are 0.5 m wide and 6m high and lead to the suspended corridors. The house with its boundary less three dimensional corridors always leaves the wall-inhabitant roaming the periphery, but is he alone?

THE MAN WHO WAS NEVER ALONE .The main theme of the house is the peripheral. The center of the house is a void surrounded by mirrors with peeping holes. In order to escape this confrontational void, the inhabitant has to retreat to one of the three parallel wall spaces. These wall-spaces are 0.5 m wide and 6m high and lead to the suspended corridors. The house with its boundary less three dimensional corridors always leaves the wall-inhabitant roaming the periphery, but is he alone?


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