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Once she has the design on paper, Clements then tries to get her yarn to match. “I work with an incredibly talented dyer in Maine. She can match anything. I’ll send her a picture and she can do it. But sometimes the material has its own mind and it wants to do its own thing and I kind of move with it. Sometimes when I get to the loom it totally changes. The yarn or the fiber just translates differently. So I have been known to completely change a design as soon as a I get to the loom.”

Once she has the design on paper, Clements then tries to get her yarn to match. “I work with an incredibly talented dyer in Maine. She can match anything. I’ll send her a picture and she can do it. But sometimes the material has its own mind and it wants to do its own thing and I kind of move with it. Sometimes when I get to the loom it totally changes. The yarn or the fiber just translates differently. So I have been known to completely change a design as soon as a I get to the loom.”

Art work space

I like the rolling dresser/room divider, it would make the perfect little painting nook, except Chuck definitely won't let me splatter paint all over the floor!

Britain's artists and their studios Chantal Joffe

In pictures: Britain's artists and their studios

Roros Naturpledd FLETTE

styletaboo: “Kristine Five Melvaer - Naturpledd wool blanket for Røros Tweed ”

White Office

sally king-benedict: an artist inspires a family-friendly renovation

fabric on the loom at Margo Selby's workshops

The book Color and Texture in Weaving by Margo Selby is full of inspiration, like working with stripes and color to create unique effects. Photo by Phil Wilkins.

Eric Carle in his studio.  there is such honesty in his studio

pipsqueak-press: Eric Carle in his studio harpercollinschildrens: collageoftheweek: The master Eric Carle in his studio, from Magazine Vol. 6 No. Love this picture of Eric Carle in his studio

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