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Mary Magdalene anointing Christ's feet and the Entry into Jerusalem (early 13th c. English psalter); more interesting table ware.

Mary Magdalene anointing Christ's feet and the Entry into Jerusalem (early 13th c. English psalter); more interesting table ware.

Supper at Emmaus and the Doubting of Thomas; more table ware in Royal 1 D X (this is folio 7v)

Supper at Emmaus and the Doubting of Thomas; more table ware in Royal 1 D X (this is folio 7v)

The Hague, KB, 78 D 38 II	 fol. 151v  Gospels The marriage-feast at Cana: Christ changes water into wine

The Hague, KB, 78 D 38 II fol. 151v Gospels The marriage-feast at Cana: Christ changes water into wine

From: Die Hausbucher der Nurnberger Zwolfbruderstiftungen  The cook is in the dining room, which is characterized by a large fireplace, a soup plate on the table, on which a spoon is. In the background you can see through a doorway with a stove and a shelf with jugs. This is the kitchen. The cook on a belt knife sheath with hanging utensils. 1637

From: Die Hausbucher der Nurnberger Zwolfbruderstiftungen The cook is in the dining room, which is characterized by a large fireplace, a soup plate on the table, on which a spoon is. In the background you can see through a doorway with a stove and a shelf with jugs. This is the kitchen. The cook on a belt knife sheath with hanging utensils. 1637

The Hague, KB, 71 A23. fol.127r

The Hague, KB, 71 A23. fol.127r

Miniature from the prefatory cycle of the Baptism of Christ in the upper register, and the Marriage at Cana in the lower register.

Miniature from the prefatory cycle of the Baptism of Christ in the upper register, and the Marriage at Cana in the lower register.

una pareja con el hombre a la izquierda pasando el brazo derecho sobre los hombros de la mujer y el izquierdo extendido por delante del pecho con la mano abierta como queriendo unirse con la que reposa en el hombro derecho, en lo que parece el inicio de un tímido abrazo o, según Novella, una amorosa despedida. El hombre, con mechón en el flequillo, viste saya o gonela y aljuba o túnica de encima, amplia y sin mangas, y la mujer, saya o gonela de color carminoso.

una pareja con el hombre a la izquierda pasando el brazo derecho sobre los hombros de la mujer y el izquierdo extendido por delante del pecho con la mano abierta como queriendo unirse con la que reposa en el hombro derecho, en lo que parece el inicio de un tímido abrazo o, según Novella, una amorosa despedida. El hombre, con mechón en el flequillo, viste saya o gonela y aljuba o túnica de encima, amplia y sin mangas, y la mujer, saya o gonela de color carminoso.

Eulalia Hath A Blogge: Recreating 13th and 14th Century English Pastry, Part 8: More Information on Medieval Grains

Eulalia Hath A Blogge: Recreating 13th and 14th Century English Pastry, Part 8: More Information on Medieval Grains

The Morgan Library & Museum Online Exhibitions - Morgan Picture Bible - Folio 29r

Fol. 29r

The Morgan Library & Museum Online Exhibitions - Morgan Picture Bible - Folio 29r

Psalter of Landgraf Hermann von Thuering 1217 "Paradise: Lazarus in Abrahams lap distributes the fruits of the eternal life." page 77 Vorgotische. Note the long sleeves but loose belted gowns with high round necklines.

Psalter of Landgraf Hermann von Thuering 1217 "Paradise: Lazarus in Abrahams lap distributes the fruits of the eternal life." page 77 Vorgotische. Note the long sleeves but loose belted gowns with high round necklines.

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