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Many of my prints end up in a book form, I find it gives the prints a fresh new viewpoint, often just a micro-view of only part of the print. One of the issues of the printing technique of...

Many of my prints end up in a book form, I find it gives the prints a fresh new viewpoint, often just a micro-view of only part of the print. One of the issues of the printing technique of.

Many of my prints end up in a book form, I find it gives the prints a fresh new viewpoint, often just a micro-view of only part of the print. One of the issues of the printing technique of...

Many of my prints end up in a book form, I find it gives the prints a fresh new viewpoint, often just a micro-view of only part of the print. One of the issues of the printing technique of.

Many of my prints end up in a book form, I find it gives the prints a fresh new viewpoint, often just a micro-view of only part of the print. One of the issues of the printing technique of...

Many of my prints end up in a book form, I find it gives the prints a fresh new viewpoint, often just a micro-view of only part of the print. One of the issues of the printing technique of.

Artists Books - Sandra Pearce

Many of my prints end up in a book form, I find it gives the prints a fresh new viewpoint, often just a micro-view of only part of the print. One of the issues of the printing technique of.

Many of my prints end up in a book form, I find it gives the prints a fresh new viewpoint, often just a micro-view of only part of the print. One of the issues of the printing technique of...

Many of my prints end up in a book form, I find it gives the prints a fresh new viewpoint, often just a micro-view of only part of the print. One of the issues of the printing technique of.

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Fecundfields by Alex Sutherland. 9 x 18 x 3 cm. Small box with concertina book

Found in a Junk Shop: Secrets of an Undiscovered Visionary Artist. Charles Dellschau

Found in a Junk Shop: Secrets of an Undiscovered Visionary Artist: The secret society journal of Charles Dellschau

To Make the Portrait of the Bird (Collaboration work with Deer’s Run Press 2007) by Margaret Suchland • 5.5 x 9.5 Double accordion structure. Digital prints tipped onto the main accordion structure with vellum pages containing text and commentary sewn into the valleys. Text and prints hand-sewn and bound in hand-dyed Stonehenge paper. Edition of 25.

Margaret Suchland : To Make the Portrait of the Bird (Collaboration work with Deer's Run Press

Many of my prints end up in a book form, I find it gives the prints a fresh new viewpoint, often just a micro-view of only part of the print. One of the issues of the printing technique of...

Many of my prints end up in a book form, I find it gives the prints a fresh new viewpoint, often just a micro-view of only part of the print. One of the issues of the printing technique of.

Wearing Down by Estella Scholes, Artist Book, Mixed

Wearing Down by Estella Scholes, Artist Book, Mixed

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