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Rembrandt, The Apostle Bartholomew, 1661. Oil on canvas 86.7 x 75.6 cm © The J. Paul Getty Museum, Los Angeles, California (71.PA.15)

Rembrandt, The Apostle Bartholomew, 1661. Oil on canvas 86.7 x 75.6 cm © The J. Paul Getty Museum, Los Angeles, California (71.PA.15)

Animated by the strong light that casts one side of the sitter’s face into deep shadow, the compelling figure is painted in the “rough manner” of Rembrandt’s late style, with a limited palette of earth colors. | Rembrandt van Rijn, "Bust of a Young Jew," © Kimbell Art Museum

Animated by the strong light that casts one side of the sitter’s face into deep shadow, the compelling figure is painted in the “rough manner” of Rembrandt’s late style, with a limited palette of earth colors. | Rembrandt van Rijn, "Bust of a Young Jew," © Kimbell Art Museum

Rembrandt van Rijn - Haman maakt zich op om Mordechai te eren

Rembrandt van Rijn - Haman maakt zich op om Mordechai te eren

verdonkerde kleuren- verdonkeren krijg je door zwart bij de kleur te mengen.

verdonkerde kleuren- verdonkeren krijg je door zwart bij de kleur te mengen.

Here, Rembrandt is about 55. In this portrait he represents St Paul, the apostle, identified by his usual attributes: a manuscript and a sword, of which the hilt extends from under the cloak.  The self portrait is typical of Rembrandt’s late style of painting: he used the paint structure in the composition, as in the folds of the turban for example.

Here, Rembrandt is about 55. In this portrait he represents St Paul, the apostle, identified by his usual attributes: a manuscript and a sword, of which the hilt extends from under the cloak. The self portrait is typical of Rembrandt’s late style of painting: he used the paint structure in the composition, as in the folds of the turban for example.

Ahasuerus and Haman at the Feast of Esther - Rembrandt. As we start the study of Nehemiah, reminded that there would have been no rebuilding if Esther hadn't acted to save the Jews in exile.

Ahasuerus and Haman at the Feast of Esther - Rembrandt. As we start the study of Nehemiah, reminded that there would have been no rebuilding if Esther hadn't acted to save the Jews in exile.

REMBRANDT Harmenszoon van Rijn  Two Africans  1661  Oil on canvas, 78 x 64 cm  Mauritshuis, The Hague

REMBRANDT Harmenszoon van Rijn Two Africans 1661 Oil on canvas, 78 x 64 cm Mauritshuis, The Hague

Rembrandt, "The Incredulity of St Thomas" 1634, Oil on wood, 53 cm x 51 cm, Pushkin Museum, Moscow

Rembrandt, "The Incredulity of St Thomas" 1634, Oil on wood, 53 cm x 51 cm, Pushkin Museum, Moscow

RITRATTO EQUESTRE DI FREDERICK RIHEL. 1663. olio su tela. 294,5 × 241 cm.

RITRATTO EQUESTRE DI FREDERICK RIHEL. 1663. olio su tela. 294,5 × 241 cm.

Rembrandt - "Rembrandt Laughing" - c. 1628 / read at http://www.arteeblog.com/2015/10/rembrandt-rindo-historia-de-duas-unicas.html

Rembrandt Rindo – a história de duas únicas pinturas

Rembrandt - "Rembrandt Laughing" - c. 1628 / read at http://www.arteeblog.com/2015/10/rembrandt-rindo-historia-de-duas-unicas.html

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