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Portrait of Francisca Caroline de Braganca - Franz Xaver Winterhalter - WikiArt.org

Helene-Louise de Mecklembourg-Schwerin, Duchess of Orleans with son Count of Paris - Franz Xaver Winterhalter, 1839

Sir Frank Bernard Dicksee, 1853-1928

Sir Francis Bernard Dicksee - Portrait of the Hon. Mrs Ernest Guinness, standing, full-length, wearing an emerald dress and feather

Louise Vernet (the artist’s daughter) - (c. mid-1800s) by Émile Jean-Horace Vernet (1789-1863), French - painter of battles, portraits, and Orientalist Arab subjects (wiki - loumargi)

Emile Jean Horace Vernet, Portrait of Louise Vernet (daughter of the artist) between 1828 and 1833

Portrait of Mary Matthews, Sizergh Castle

Mary Matthews Madame de La Chere by Marcel-Antoine Verdier Date painted: 1843 Oil on canvas, 115 x 88 cm Collection: National Trust

Maria Alexandrovna by Winterhalter (1857, Hermitage) - Franz Xaver Winterhalter - Wikimedia Commons

Maria Alexandrovna by Winterhalter Hermitage) - Franz Xaver Winterhalter - Wikimedia Commons

Allan Ramsay ~Portrait of Jean Abercromby, Mrs George Morison of Haddo ~ 1767

Allan Ramsay ~Portrait of Jean Abercromby, Mrs George Morison of Haddo ~ 1767

“Lady at a Window Feeding Birds” by Alfred Stevens, ca. 1859

“Lady at a Window Feeding Birds” by Alfred Stevens, ca. 1859

This off-the-shoulders sleeve style is known as the Bertha sleeve. Berthas were wide, deep collars following the neckline (often with lace). Many Bertha sleeves dresses made a wide dip at the center, like a slight V-cut dress. The bertha sleeve accentuated the shoulder to make the waist look smaller.

Princess Dagmar of Denmark, later Empress "Maria Feodorovna " of Russia", mother of Tsar Nicholas II. She married Tsar Alexander III of Imperial Russia.

Nadezda Mihailovna Polovcevoya by Charles- Francois Jalabert

Graphic Art: Painting – Nadezda Mihailovna Polovcevoya by Charles- Francois Jalabert

The Consecration, 1861, by George Cochran Lambdin, 1865

The Consecration George Cochran Lambdin (American, Oil on canvas. Painted during the last year of the Civil War, The Consecration recalls the romantic spirit in which many men went.

“Combing My Lady's Tresses (n.d.) Jean-Baptiste-Antoine-Emile Béranger (1814-1883) Josef Mensing Gallery, Hamm-Rhynern, Germany via Bridgeman Education ”

“Combing My Lady's Tresses (n.d.) Jean-Baptiste-Antoine-Emile Béranger (1814-1883) Josef Mensing Gallery, Hamm-Rhynern, Germany via Bridgeman Education ”

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