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A Four-Case Lacquer Inro**  Edo period (19th century), with signature Mitsutada  Designed in two colors of gold, red and silver takamaki-e and inlaid mother-of-pearl with summer and autumn flowers on a gyobu nashiji ground, the interior cases nashiji and hirame; fitted with a gold-lacquer bead ojime and a wood and ivory netsuke carved as a split walnut

A Four-Case Lacquer Inro** Edo period century), with signature Mitsutada…

A gold lacquer four-case inro By Koma Yasutada, 19th century  Decorated on the usu-nashiji ground with chidori in flight above turbulent waters, the reverse, top and bottom with a continuation of the design, in gold and silver hiramakie, the birds lacquered in gold takamakie and the foam on the waves discreetly inlaid in gold studs, the interior of fundame, signed Koma Yasutada saku; with cloisonné-enamel ojime, unsigned.

Four-case inro by Koma Yasutada, century - shows chidori in flight above…

A four-case gold lacquer inro By Shiomi Masanari, Edo period (19th century). Rendered in silver, gold, black and red togidashi maki-e against a kinji ground with two rats, the case interiors black lacquer with fundame edges; signed Shiomi Masanari; fitted with a hardstone bead ojime and a wood netsuke of a rat on a mokugyo (drum), signed Kazunobu

A four-case gold lacquer inro By Shiomi Masanari, Edo period century)

A four-case lacquer inro by Togyoku Meiji period, late 19th century  decorated in gold hiramaki-e with butterflies in flight above flowering chrysanthemum and bound grasses, on a roiro-nuri ground with hirame, signed Togyoku; with an ivory netsuke carved with a man seated in front of a small boy, signed Hansei and coral ojime, wood storage box 8.5 cm long

A four-case lacquer inro by Togyoku Meiji period, late century decorated…

Case (Inrō) with Design of Squid, Shells and Seaweed - Hara Yōyūsai (Japanese, 1772–1845), Period: Edo period (1615–1868), early 19th century - Medium: Case: powdered gold (maki-e) and colored lacquer on black lacquer with mother-of-pearl and gold inlays; Fastener (ojime): ivory carved with abstract design;

Case (Inrō) with Design of Squid, Shells and Seaweed - Hara Yōyūsai (Japanese…

A lacquered-ivory four-case inro By Hara Yoyusai, 19th century Lacquered with a continuous scene of a pheasant perched on a flowering cherry tree while its mate walks below, the reverse lacquered with two flying birds, in gold and slight-coloured takamakie, signed Yoyusai saku; with an ivory hako-netsuke similarly lacquered with two flying birds and falling petals, unsigned.

A lacquered-ivory four-case inro By Hara Yoyusai, century Lacquered with a…

Inrō with Design of Blossoming Plum Tree, by Hara Yōyūsai (Japanese, 1772–1845), Artist: After a design by Sakai Hōitsu (Japanese, 1761–1828), Edo period (1615–1868) 19th century, Sprinkled gold lacquer with gold, silver, and red makie, takamakie, and coral inlay Ojime: bead; tortoiseshell Netsuke: box with decoration of violets; gold makie lacquer with gold and silver makie, H 9.3; W.5.7; D.2.2 cm ©The Metropolitan Museum of Art #Inro, #Urushi, #Laque, #Japon, #Lacquer, #Japan

Inrō with Design of Blossoming Plum Tree Hara Yōyūsai (Japanese, side

Case (Inrô ) with Design of Grapevine  Period: Edo period (1615–1868) Date: 18th–19th century Culture: Japan Medium: Case: gold and colored lacquer and gold foil on black lacquer with greenstained ivory, mother-of-pearl, amber, and horn inlays; Fastener (ojime): ivory with design of plants; Toggle (netsuke): ivory medallion carved with design of fruited vines

Case (Inrō ) with Design of Grapevine Period: Edo period Date: century Culture: Japan 印籠

A five-case roiro-nuri ground inro by Kajikawa Meiji period, late 19th century  decorated in gold, silver and iro-e hiramaki-e and kirigane with a rooster perched on a blossoming tree gazing down at a snake coiled around a lower branch, signed Kajikawa; with ivory netsuke of a shishi seated on a high plinth, signed Masamitsu and silvered ojime, wood storage box 10 cm long

A five-case roiro-nuri ground inro by Kajikawa Meiji period, late century…

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