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School of Bruges, 16th, THE ANNUNCIATION, oil on oak panel, 90.5 by 77 cm - closely related to the painting of the same subject by Pieter Pourbus of 1552, generally considered the most important early masterpiece by the artist (Stedelijke Musea, Gouda). When the Annunciation was exhibited in the show From Memling to Pourbus: Bruges and the Renaissance (Memlingmuseum – Out Sint Janshospitaal, Bruges, 15 August – 6 December 1998)

School of Bruges, 16th, THE ANNUNCIATION, oil on oak panel, 90.5 by 77 cm - closely related to the painting of the same subject by Pieter Pourbus of 1552, generally considered the most important early masterpiece by the artist (Stedelijke Musea, Gouda). When the Annunciation was exhibited in the show From Memling to Pourbus: Bruges and the Renaissance (Memlingmuseum – Out Sint Janshospitaal, Bruges, 15 August – 6 December 1998)

Фламандский художник       XVI века

Фламандский художник XVI века

Dirk Bouts - mypainting

Dirk Bouts - mypainting

circa 1508.Alejo Fernández (1475-1545) The Annunciation.painting on panel.72×49.5 cm (28.3×19.5 in) Museum of Fine Arts of Seville.

circa 1508.Alejo Fernández (1475-1545) The Annunciation.painting on panel.72×49.5 cm (28.3×19.5 in) Museum of Fine Arts of Seville.

De verkondiging aan Maria, Meester van de Virgo inter Virgines, 1470 - 1500 | Museum Boijmans Van Beuningen

De verkondiging aan Maria, Meester van de Virgo inter Virgines, 1470 - 1500 | Museum Boijmans Van Beuningen

Pedro Núñez del Valle, The Annunciation (1623-30)

Pedro Núñez del Valle, The Annunciation (1623-30)

Raphael - De Sixtijnse Madonna

Raphael - De Sixtijnse Madonna

Paolo Uccello - L'Annunciazione è un dipinto a tempera e oro su tavola (64,6x47,5 cm) di Paolo Uccello, databile al 1425 circa e conservato nell'Ashmolean Museum di Oxford.

Paolo Uccello - L'Annunciazione è un dipinto a tempera e oro su tavola (64,6x47,5 cm) di Paolo Uccello, databile al 1425 circa e conservato nell'Ashmolean Museum di Oxford.

Grisaille van Jan van Eyk over de annunciatie. De engel Gabriel kondigt Maria de geboorte van Jezus aan. De beelden in de nissen lijken driediemensionaal, maar alles is geschilderd, en dus tweedimensionaal.

Grisaille van Jan van Eyk over de annunciatie. De engel Gabriel kondigt Maria de geboorte van Jezus aan. De beelden in de nissen lijken driediemensionaal, maar alles is geschilderd, en dus tweedimensionaal.

Annunciation (1618). Pieter Pietersz Lastman (Dutch, 1583-1633). Oil on panel. The Hermitage, St. Petersburg. Specialized in religious, historical, and mythological scenes. He went to Italy (c. 1604) and was influenced by Caravaggio - which makes him akin to the Utrecht School - and by Elsheimer. His forte was small figures in exotic and brightly-coloured costumes. He was back in Amsterdam by 1607. His real importance lies in the fact that Jan Lievens was his pupil in 1617 and Rembrandt in…

Annunciation (1618). Pieter Pietersz Lastman (Dutch, 1583-1633). Oil on panel. The Hermitage, St. Petersburg. Specialized in religious, historical, and mythological scenes. He went to Italy (c. 1604) and was influenced by Caravaggio - which makes him akin to the Utrecht School - and by Elsheimer. His forte was small figures in exotic and brightly-coloured costumes. He was back in Amsterdam by 1607. His real importance lies in the fact that Jan Lievens was his pupil in 1617 and Rembrandt in…

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