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--Verhaal van Caesar: Reunion van Pompey en Cornelia cartoon fragment Artist: Pieter Coecke van Aelst (Nederlanse, Aelst 1502-1550 Brussel) Datum: ca. 1540 Cultuur: Nederlanse, Brussel Medium: Krijt en het lichaam kleur op papier Afmetingen: Other: 17 5/8 × 13 3/4 in (44,8 × 35 cm). Indeling: Tekeningen Credit Line: Privé-collectie, Brussel. Foto courtesy van Private Collection, Brussel. Te zien in Gallery 899

--Verhaal van Caesar: Reunion van Pompey en Cornelia cartoon fragment Artist: Pieter Coecke van Aelst (Nederlanse, Aelst 1502-1550 Brussel) Datum: ca. 1540 Cultuur: Nederlanse, Brussel Medium: Krijt en het lichaam kleur op papier Afmetingen: Other: 17 5/8 × 13 3/4 in (44,8 × 35 cm). Indeling: Tekeningen Credit Line: Privé-collectie, Brussel. Foto courtesy van Private Collection, Brussel. Te zien in Gallery 899

"Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry" closes this Sunday, January 11. In this blog post, the exhibition’s Chief Curator Elizabeth Cleland reflects on the exhibition. | Details of faces in four different tapestries #granddesign #tapestrytuesday

"Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry" closes this Sunday, January 11. In this blog post, the exhibition’s Chief Curator Elizabeth Cleland reflects on the exhibition. | Details of faces in four different tapestries #granddesign #tapestrytuesday

Hard Punch

Hard Punch

Design attributed to Pieter Coecke van Aelst (Netherlandish, 1502–1550). The Fables of Ovid: Flaying of Marsyas Tapestry in the set of the Poesia (detail), ca. 1547–48. Woven under the direction of Willem de Pannemaker, Brussels, before 1556. Patrimonio Nacional, Palacio Real de La Granja de San Ildefonso (TA 19/4, 10004158) | This work is featured in "Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry," on view October 8, 2014–January 11, 2015. #Coecke #tapestrytuesday…

Design attributed to Pieter Coecke van Aelst (Netherlandish, 1502–1550). The Fables of Ovid: Flaying of Marsyas Tapestry in the set of the Poesia (detail), ca. 1547–48. Woven under the direction of Willem de Pannemaker, Brussels, before 1556. Patrimonio Nacional, Palacio Real de La Granja de San Ildefonso (TA 19/4, 10004158) | This work is featured in "Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry," on view October 8, 2014–January 11, 2015. #Coecke #tapestrytuesday…

La colère par Charles le Brun

La colère par Charles le Brun

Designed by Pieter Coecke van Aelst (Netherlandish, 1502–1550). The Story of Joshua: Gibeonites Trick Joshua tapestry (detail), designed ca. 1537, woven ca. 1544. Woven under the direction of Jan Dermoyen (Flemish, active 1539–1544). Kunsthistorisches Museum Wien, Kunstkammer. | This work is featured in "Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry," on view October 8, 2014–January 11, 2015. #Coecke #tapestrytuesday #granddesign

Designed by Pieter Coecke van Aelst (Netherlandish, 1502–1550). The Story of Joshua: Gibeonites Trick Joshua tapestry (detail), designed ca. 1537, woven ca. 1544. Woven under the direction of Jan Dermoyen (Flemish, active 1539–1544). Kunsthistorisches Museum Wien, Kunstkammer. | This work is featured in "Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry," on view October 8, 2014–January 11, 2015. #Coecke #tapestrytuesday #granddesign

Peter Paul Rubens, Drawing of Nicolas Rubens, 1619 - Vienna Albertina

Peter Paul Rubens, Drawing of Nicolas Rubens, 1619 - Vienna Albertina

Autor: Maestro de la Leyenda de Santa Catalina Título: "La Crucifixión" Cronología: Finales del siglo XV Técnica: Óleo Soporte: Tabla Medidas: 100 cm x 71 cm Escuela: Flamenca Procedencia: Legado Pablo Bosch y Barrau, 1916

Autor: Maestro de la Leyenda de Santa Catalina Título: "La Crucifixión" Cronología: Finales del siglo XV Técnica: Óleo Soporte: Tabla Medidas: 100 cm x 71 cm Escuela: Flamenca Procedencia: Legado Pablo Bosch y Barrau, 1916

Portret van Ada, gravin van Holland, Adriaen Matham, 1620

Portret van Ada, gravin van Holland, Adriaen Matham, 1620

El Greco: La Inmaculada Concepción.

El Greco: La Inmaculada Concepción.

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