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Vincenzo Bellini (1801-1835), painting (1830), by Frédéric Millet (1786-1859).

Vincenzo Bellini (1801-1835), painting (1830), by Frédéric Millet (1786-1859).

In this painting from India in c. 1750, a seated woman plays a musical instrument with attendants.

In this painting from India in c. 1750, a seated woman plays a musical instrument with attendants.

nicolo paganini - Google Search

nicolo paganini - Google Search

Arcangelo Corelli (1653-1713), painting (1698), by Hugh Howard (1675-1735).

Arcangelo Corelli (1653-1713), painting (1698), by Hugh Howard (1675-1735).

Only known picture of Fredric Chopin  File:Frederic Chopin photo.jpeg

Only known picture of Fredric Chopin File:Frederic Chopin photo.jpeg

Joseph Haydn - Wikipedia, the free encyclopedia

Joseph Haydn - Wikipedia, the free encyclopedia

Johann Strauss II (1825-1899), charcoal drawing (1896), by Leopold Horovitz (1838-1917).

Johann Strauss II (1825-1899), charcoal drawing (1896), by Leopold Horovitz (1838-1917).

Ernest Hemingway 1923 passport photo.jpg

Ernest Hemingway 1923 passport photo.jpg

Mikhail Ivanovich Glinka (Михаи́л Ива́нович Гли́нка), was the first Russian composer to gain wide recognition within his own country, and is often regarded as the father of Russian classical music.

Mikhail Ivanovich Glinka (Михаи́л Ива́нович Гли́нка), was the first Russian composer to gain wide recognition within his own country, and is often regarded as the father of Russian classical music.

Antonin Dvorak was a Czech composer. Following the nationalist example of Bedřich Smetana, Dvořák frequently employed features of the folk music of Moravia and his native Bohemia (then parts of the Austrian Empire and now the Czech Republic). Dvořák's own style has been described as 'the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them'.

Antonin Dvorak was a Czech composer. Following the nationalist example of Bedřich Smetana, Dvořák frequently employed features of the folk music of Moravia and his native Bohemia (then parts of the Austrian Empire and now the Czech Republic). Dvořák's own style has been described as 'the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them'.

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